| The Desert Rose Band - 08/09/2010 - Belcourt Theatre, Nashville, TN | ||
| Support Bands: - | ||
| Venue Capacity: 2300 seats | ||
| Setlist: | ||
01) She Don't Love Nobody
02) Love Reunited
03) He's Back and I'm Blue
04) Leave this Town
05) Time Between
06) Summer Wind
07) Start All Over Again
08) Once More
09) Running
10) Sin City (with Emmylou Harris)
11) In Another Lifetime
12) Hello Trouble (with Brad Paisley on electric guitar)
13) Together Again (with Brad Paisley on electric guitar)
14) Ashes of Love (with Brad Paisley on electric guitar and vocals, singing lead on the third verse)
15) If it Be Your Will
16) Devil in Disquise
17) I Still Believe in You
18) It Takes A Believer
19) Waith A Minute (Herb Pedersen singing lead)
20) One Step Forward (Brad Paisley playing six-string bass)
21) Price I Pay (with Brad Paisley on electric guitar)
22) encore - Will this be the Day
23) 2nd encore - I Can't Keep You In Love With Me
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| Review: | ||
Desert Rose Band Reunion Satisfies Nashville Fans The Desert Rose Band returned to Nashville for the first time in 20 years last night (Aug. 9), arriving to a full Belcourt Theatre -- and eager fans like Emmylou Harris and Brad Paisley at their side. Lead singer Chris Hillman told the crowd that the band decided to reunite for the music's sake, with no intentions of making another record, so there was no new, unfamiliar material to politely sit through. Instead, the dynamic band capably and cheerfully rolled through their country hits from the late 1980s, like the fully-charged "Ashes of Love" (with Paisley taking a verse), "Love Reunited," "One Step Forward," "He's Back and I'm Blue," "Summer Wind" and "I Still Believe in You." As soon as they kicked off the first song, "She Don't Love Nobody," I just couldn't quit smiling. They've still got that cool California vibe, yet with an obvious affinity for traditional country music. Even though my seats didn't allow me to see steel guitarist Jay Dee Maness, his stylish playing wove throughout all the songs. But I was just a few feet away from Herb Pedersen, whose high harmony is still an essential component of their easygoing sound. It's incredibly refreshing to hear a country band that relies so much on the musicianship, rather than just building themselves around a promising lead singer. Harris told the crowd that Hillman discovered her performing in a singles bar in 1971 and brought her to Gram Parsons' attention when Parsons was looking for a female harmony singer. Without that chance encounter, she noted that she might have never had a career in music. Indeed, a lot of gratitude was spread across the evening, with all the band members praising each other's talent and glowing whenever somebody served up a tasty lick. With John Jorgenson on guitar, there were plenty of those. When Paisley is stepping back and admiring your dexterity, you know you're on the right track. I can't really pick a highlight from the night, but as I write this, I'm listening to their Greatest Hits album and still grinning from ear to ear. They're playing the Grand Ole Opry tonight (Aug. 10), and here's hoping it doesn't take two decades for them to get back to Nashville next time. |
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| Review: | ||
Desert Rose Band Reunites on a Star-Filled Nashville Night Gary Allan, Brad Paisley and wife Kimberly Williams-Paisley, bluegrass greats Larry Stephenson and Roland White, Emmylou Harris, steel guitar great Lloyd Green and songwriters Odie Blackman and Gary Nicholson were just a few of the celebrities who found their way to Nashville's Belcourt Theatre Monday night to see the final night of the Desert Rose Band's mini-concert tour of 2010. - Vernell Hackett - |
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| Review: | ||
Desert Rose Band reunion an in-the-moment celebration Reunion shows are so often about familiarity and remembrance. Fans pony up big money to watch dinosaur rock bands replicate decades-old doings. But Monday night at the Belcourt Theatre, the Desert Rose Band’s reunion concert was much more about renewal than replication. Enlivened by guest visits from Emmylou Harris and Brad Paisley, the Desert Rose Band’s original lineup presented a reunion show that existed fully in the moment, bolstered, not shackled, by memory. The clumsy moments may have been the dearest. Harris and bandleader Chris Hillman fumbled the opening of “Sin City,” a song Hillman wrote with Harris’ mentor, the late Gram Parsons. But the awkward start gave way to a harmonious, waltz-time wonder as the band got in sync. Later, Hillman was so enamored of guitarist John Jorgenson’s warp-speed solo on “The Price I Pay” that he forgot to reenter for the final chorus. He returned to the microphone with an astonished look on his face, as if he’d been jerked from the audience onto the stage. Then again, some of the night’s finer moments were far from clumsy. Paisley, a child of 14 when the Desert Rose Band first hit the charts in 1987 with “Ashes of Love,” played the searing “Hello Trouble” solo with Jorgenson, in harmony. Steel player Jay Dee Maness delivered a lovely, perfectly executed solo on “Together Again,” a song originally recorded by Buck Owens in a version that featured a legendary solo from another ex-Desert Rose Band member, Tom Brumley. The whole thing played out in front of an audience packed with heavies. Steel guitar pros Al Perkins, Lloyd Green (who shared significant steel parts with Maness on the Byrds’ Sweetheart of the Rodeo album), Pete Finney and Hank DeVito cheered a rare Nashville appearance from Maness. Bluegrassers Roland White and Larry Stephenson, young guitar wizard J.D. Simo, country artist Gary Allan, songwriters John D. Loudermilk, Mary Ann Kennedy, Alan Rhody and Trent Summar and clothier-to-the-stars Manuel also joined the sold-out crowd. Paisley credits the band with changing his life as a teenager, and he isn’t alone. Though the Desert Rose Band notched a respectable-but-not-legendary eight Top 10 country singles in its three years and three months of hit making, the band was far more inspirational than profitable. Its sound was, and is, an update of the fiery west coast country tradition exemplified by Buck Owens and updated by the Byrds, the Flying Burrito Brothers and others. Hillman was a member of the latter two groups, and he’s quick to remind that the Byrds and the Burritos were inventive in the studio but often shambolic on stage. The Desert Rose Band, though, was a professional endeavor in intent and in delivery. Monday, Hillman, Jorgenson, Pedersen, Maness, bass man Bill Bryson and drummer Steve Duncan offered up a show filled with instrumental flights, splendid harmonies and songs that contained deep realism (“my father died a broken man by his own hand”), language (“Do I have to make love from the punishments and promises you hand to me?”) and emotion (on “Summer Wind,” a divorced father exclaims, “Can’t you see what I’ve been through?” to a daughter who can’t possibly understand). Monday’s gathering could have been a gripe-fest or a snob-fest, with musicians and audience members of a certain age complaining about what the music has become. Instead, it was a celebration, with a Country Music Hall of Famer (Harris) and one of contemporary country’s biggest stars (Paisley) aiding in an evening of spontaneity and applause. All were in the moment, and the moment was good. - Peter Cooper - |